Movie Reviews

GOOD TIME (2017)

One-line review: A man on the run for “a” life. This film is the Safdie Brothers’ first outing with a big star and paved the way for convincing Adam Sandler to do their dream project. But interestingly, in this case, the global sensation Robert Pattinson sought them out after seeing their previous movie’s trailer. Pattinson […]

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TRUE GRIT (2010)

One-line review: Eternal friendships bloom in the Wild West. When the Coens announced they were remaking True Grit, many fans of the 1969 classic that won John Wayne his only Oscar raised their eyebrows. But the Coens were interested in the original source, the late and reclusive author Charles Portis’ best-selling and much-loved novel. The

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SISU (2023)

One-line review: Finnish True Grit.  Sisu has the advantage (at least when I saw it) of being seen by an audience with no expectations, but then it delivers and delivers. It tries to get some credibility by informing us in the credits that it was edited in the same studio that made John Wick. But

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THE MUSTANG (2019)

One-line review: Beauty of the Beast. I was among the few to see this film in the theaters (in New Jersey) when it was first released. Despite the great reviews, it went out quietly, although those who saw it knew they had seen something special. Thankfully, the film recently got a new lease of life

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EMILY (2023)

One-line review: Wuthering Heights emerged from Emily Brontë’s lows. How did the three corseted Brontë sisters, mostly homeschooled and isolated, each write a masterpiece? It cannot just be genes because their brother Branwell didn’t make it despite being ambitious and having all the opportunities. The movie is a mostly fictional account of how and why

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BANANAS (1971)

One-line review: Woody Allen’s bloodless coup with laughter. When I rewatched Bananas, I was surprised at how good Woody Allen is with physical comedy, an underutilized part of his acting prowess. Bananas is one of those rare films (Sleeper is another) where we see Allen at his peak with verbal and physical comedy. It may

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BROKER (2022)

One-line review: An abandoned baby rescues many adults. The film has you at hello; I am referring to Japanese director Hirokazu Kore-ada’s charming greeting before the movie begins thanking the audience and the actors. Broker is his first South Korean movie (he also wrote it). After his acclaimed “Shoplifters,” Kore-ada revisits the theme of families

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THE FABELMANS (2022)

One-line review: Your heart is the only compass you need to navigate through life.  The audience broke into spontaneous applause both times I watched The Fabelmans. And they couldn’t have been more different each time; senior citizens the first time and young New Yorkers the second time. That’s the beauty of Steven Speilberg’s autobiographical film,

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